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Designed by Émile Reiber, an architect who became the head of Christofle’s design and composition workshop from 1865 to 1878, the fish-shaped Vase is inspired by a Japanese bronze vase from the late Edo period (1603-1868) belonging to the Cernuschi Museum’s collection.
A spearhead of the Japonisme movement and passionate about Asian arts, Reiber revisited this piece in 1874 for Christofle, in cloisonné enamel, a delicate technique he perfected and brought back into fashion. This vase, on loan from the Musée d’Orsay, is part of the exhibition at the Musée des Arts Décoratifs.
An essential classic of the house, this fish-shaped Vase is reissued in patinated silver-plated metal (33.5 cm in height), made for the first time in a solid cast, without assembly, with special attention paid by the workshops to certain details such as the eyes or fins, to give it life and character.
VASE CHUTE DE GLYCINES
The Historic Collections celebrate the audacity
of the Maison’s archives through a contemporary
reinterpretation of the Chute de Glycines vase,
originally created in 1917 and inspired by the
art of dinanderie.
Entirely handcrafted in the Haute Orfèvrerie
workshops in Normandy, this spectacular and
generously sized vase combines a matte brushed
finish on its body with a mirror-polished motif
that shines with radiant reflections. A duality of
textures that enhances the Art Nouveau pattern.
A unique silverwork that employs the techniques
of spinning, chasing, and polishing
Having become famous, Maison Christofle was solicited by foreign sovereigns such as Emperor Maximilian of Mexico, the Tsar of Russia, Germany of the Kaiser, the Austro-Hungarian Empire and Sultan Abdulaziz of the Ottoman Empire.
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